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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description></description><title>::IRI-MUN ::blog::</title><generator>Tumblr (3.0; @irimun)</generator><link>http://blog.irimun.com/</link><item><title>Biblioteca Digital Mundial</title><description>&lt;a href="http://www.wdl.org/es/"&gt;Biblioteca Digital Mundial&lt;/a&gt;: &lt;p&gt;La Biblioteca Digital Mundial pone a disposición en Internet, de manera gratuita y en formato multilingüe, importantes materiales fundamentales de culturas de todo el mundo.&lt;/p&gt;
&lt;p&gt;Los objetivos de la Biblioteca Digital Mundial son:&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;Promover el entendimiento internacional e intercultural;&lt;/li&gt;
&lt;li&gt;Ampliar la cantidad y la variedad de contenidos culturales en Internet;&lt;/li&gt;
&lt;li&gt;Facilitar recursos a los educadores, estudiosos y el público en general;&lt;/li&gt;
&lt;li&gt;Permitir a las instituciones asociadas reducir la distancia digital dentro de y entre los países.&lt;/li&gt;
&lt;/ul&gt;</description><link>http://blog.irimun.com/post/47998300055</link><guid>http://blog.irimun.com/post/47998300055</guid><pubDate>Mon, 15 Apr 2013 00:52:27 +0100</pubDate></item><item><title>The Acoustic Properties of Chambered Tombs</title><description>&lt;a href="http://www.orkneyjar.com/history/tombs/tombacoustics.htm"&gt;The Acoustic Properties of Chambered Tombs&lt;/a&gt;</description><link>http://blog.irimun.com/post/46078751297</link><guid>http://blog.irimun.com/post/46078751297</guid><pubDate>Sat, 23 Mar 2013 16:03:23 +0000</pubDate></item><item><title>

Odara


Deixa eu dançar pro meu corpo ficar odara Minha cara...</title><description>&lt;iframe width="400" height="225" src="http://www.youtube.com/embed/Q7xZ3cBPxIE?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;div class="cor_2" id="cabecalho"&gt;
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&lt;h1 id="identificador_musica"&gt;Odara&lt;/h1&gt;
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&lt;p&gt;Deixa eu dançar pro meu corpo ficar odara&lt;br/&gt; Minha cara minha cuca ficar odara&lt;br/&gt; Deixa eu cantar que é pro mundo ficar odara&lt;br/&gt; Pra ficar tudo jóia rara&lt;br/&gt; Qualquer coisa que se sonhara&lt;br/&gt; Canto e danço que dara&lt;/p&gt;</description><link>http://blog.irimun.com/post/44002218837</link><guid>http://blog.irimun.com/post/44002218837</guid><pubDate>Mon, 25 Feb 2013 20:31:18 +0000</pubDate></item><item><title>Archaeoacoustics study in Malta</title><description>&lt;a href="http://www.otsf.org/Archaeoacoustics.htm"&gt;Archaeoacoustics study in Malta&lt;/a&gt;</description><link>http://blog.irimun.com/post/43607461229</link><guid>http://blog.irimun.com/post/43607461229</guid><pubDate>Thu, 21 Feb 2013 01:18:59 +0000</pubDate></item><item><title>Ancient Builders Created Monumental Structures that Altered Sound and Mind</title><description>&lt;a href="http://popular-archaeology.com/issue/march-2012/article/ancient-builders-created-monumental-structures-that-altered-sound-and-mind-say-researchers"&gt;Ancient Builders Created Monumental Structures that Altered Sound and Mind&lt;/a&gt;</description><link>http://blog.irimun.com/post/43606372883</link><guid>http://blog.irimun.com/post/43606372883</guid><pubDate>Thu, 21 Feb 2013 01:05:45 +0000</pubDate></item><item><title>The Listeners</title><description>&lt;a href="http://www.bbc.co.uk/programmes/b01qm4p7"&gt;The Listeners&lt;/a&gt;: &lt;p&gt;Listening is about more than hearing as we discover from people who listen for a living, and are trained to interpret the sounds they hear. &lt;/p&gt;</description><link>http://blog.irimun.com/post/43558582666</link><guid>http://blog.irimun.com/post/43558582666</guid><pubDate>Wed, 20 Feb 2013 10:43:00 +0000</pubDate></item><item><title>Taoism and the Arts of China</title><description>&lt;a href="http://books.google.co.uk/books?id=5ame4Rl1RXMC&amp;printsec=frontcover&amp;dq=Taoism+and+the+Arts+of+China&amp;hl=en&amp;sa=X&amp;ei=89EbUfzfC425hAfiqoGwAw&amp;ved=0CDEQ6AEwAA"&gt;Taoism and the Arts of China&lt;/a&gt;</description><link>http://blog.irimun.com/post/43011355042</link><guid>http://blog.irimun.com/post/43011355042</guid><pubDate>Wed, 13 Feb 2013 17:49:50 +0000</pubDate></item><item><title>Poème Symphonique for 100 metronomes</title><description>&lt;a href="http://www.ubu.com/film/ligeti_metro.html"&gt;Poème Symphonique for 100 metronomes&lt;/a&gt;: &lt;p&gt;&lt;em&gt;Poème symphonique&lt;/em&gt; was composed by György Ligeti in 1962.&lt;/p&gt;
&lt;p&gt;Since its world premiere in the Netherlands in 1963, &lt;em&gt;Poème symphonique for 100 metronomes&lt;/em&gt; has been very rarely performed in public. The complicated scenographic staging, the detailed preparation by hand, the need for around ten technicians to activate more or less simultaneously the 100 metronomes, makes the demand for performances limited. Thirty-two years after the premiere, the sculptor and installation artist Gilles Lacombe heard a recording of the work. Impressed, he decided to invent a machine able to perform the piece automatically. After six months, he set up this ingenious device. Ever since, &lt;em&gt;Poème symphonique&lt;/em&gt; can be performed accurately, at any time, and in public. Please understand that at its world premiere in 1963, the concert was filmed by Dutch television. On that night, after the final tick-tock of the metronome, there was a heavy silence, followed by booing, screaming, and threats. The concert was never broadcast.&lt;/p&gt;</description><link>http://blog.irimun.com/post/42842936152</link><guid>http://blog.irimun.com/post/42842936152</guid><pubDate>Mon, 11 Feb 2013 14:48:00 +0000</pubDate></item><item><title>Son Cuba</title><description>&lt;iframe width="400" height="299" src="http://www.youtube.com/embed/EHV3ODfFcgE?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Son Cuba&lt;/p&gt;</description><link>http://blog.irimun.com/post/42709610366</link><guid>http://blog.irimun.com/post/42709610366</guid><pubDate>Sun, 10 Feb 2013 00:47:54 +0000</pubDate></item><item><title>Exoskeleton Performance by Stelarc </title><description>&lt;iframe width="400" height="299" src="http://www.youtube.com/embed/R2MntBUwUxY?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Exoskeleton Performance by Stelarc &lt;/p&gt;</description><link>http://blog.irimun.com/post/42423891314</link><guid>http://blog.irimun.com/post/42423891314</guid><pubDate>Wed, 06 Feb 2013 12:01:57 +0000</pubDate></item><item><title>"The formation of questions was the most important step in Cage’s composition process in both..."</title><description>“The formation of questions was the most important step in Cage’s composition process in both music and visual art.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Kathan Brown&lt;/em&gt;</description><link>http://blog.irimun.com/post/42420312920</link><guid>http://blog.irimun.com/post/42420312920</guid><pubDate>Wed, 06 Feb 2013 09:32:27 +0000</pubDate></item><item><title>World’s largest natural sound archive now fully digital and fully online</title><description>&lt;a href="http://www.MacaulayLibrary.org"&gt;World’s largest natural sound archive now fully digital and fully online&lt;/a&gt;</description><link>http://blog.irimun.com/post/41274902203</link><guid>http://blog.irimun.com/post/41274902203</guid><pubDate>Wed, 23 Jan 2013 13:20:23 +0000</pubDate></item><item><title>Photo</title><description>&lt;img src="http://24.media.tumblr.com/e1f72e1fe957443d661eab785c3b7d2a/tumblr_mgtsqzhWWw1ru9c7no1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;</description><link>http://blog.irimun.com/post/40842223095</link><guid>http://blog.irimun.com/post/40842223095</guid><pubDate>Fri, 18 Jan 2013 14:40:11 +0000</pubDate></item><item><title>Ausklang</title><description>&lt;iframe width="400" height="225" src="http://www.youtube.com/embed/2j66FlaePLk?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Ausklang&lt;/p&gt;</description><link>http://blog.irimun.com/post/40756589023</link><guid>http://blog.irimun.com/post/40756589023</guid><pubDate>Thu, 17 Jan 2013 11:41:20 +0000</pubDate></item><item><title>Noel Taylor, Bendict Taylor, John García - Impro set at Mopomoso...</title><description>&lt;iframe width="400" height="225" src="http://www.youtube.com/embed/n0pFLxB3w8s?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Noel Taylor, Bendict Taylor, John García - Impro set at Mopomoso December 16th, 2012.&lt;/p&gt;</description><link>http://blog.irimun.com/post/40610423677</link><guid>http://blog.irimun.com/post/40610423677</guid><pubDate>Tue, 15 Jan 2013 17:49:00 +0000</pubDate></item><item><title>ORQUESTA ARAGÓN - El Bodeguero</title><description>&lt;iframe width="400" height="299" src="http://www.youtube.com/embed/AjJ2wEhliBg?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;ORQUESTA ARAGÓN - El Bodeguero&lt;/p&gt;</description><link>http://blog.irimun.com/post/40594333608</link><guid>http://blog.irimun.com/post/40594333608</guid><pubDate>Tue, 15 Jan 2013 11:03:33 +0000</pubDate></item><item><title>Shakuhachi types: Jiari, Jinashi, and Hocchiku</title><description>&lt;p&gt;&lt;em&gt;&lt;strong&gt;Jiari&lt;/strong&gt; &lt;/em&gt;have a inner bore geography that is mostly shaped by humans through the use of various materials while &lt;em&gt;&lt;strong&gt;jinashi&lt;/strong&gt;&lt;/em&gt; have a inner bore geography that is mostly shaped by nature. With jinashi it is necessary for the maker to describe to what extent they have changed the natural bamboo bore through additions and or subtractions. The &lt;em&gt;&lt;strong&gt;hocchiku&lt;/strong&gt;&lt;/em&gt; or hotchiku are modern 20th century jinashi shakuhachi that are longer and or wider than Edo period jinashi, the shakuhachi of the Komuso monks.&lt;/p&gt;</description><link>http://blog.irimun.com/post/40246763585</link><guid>http://blog.irimun.com/post/40246763585</guid><pubDate>Fri, 11 Jan 2013 10:06:05 +0000</pubDate></item><item><title>SEASONAL ROUND: SURVIVAL</title><description>&lt;p&gt;Some instruments are played in specific seasons, during the months when crops are grown or harvested.  Herding and the hunting of animals are dependent on their breeding and migration patterns, and signaling instruments connected with these activities may be heard only at certain times of the year.&lt;/p&gt;</description><link>http://blog.irimun.com/post/39840927778</link><guid>http://blog.irimun.com/post/39840927778</guid><pubDate>Sun, 06 Jan 2013 15:52:05 +0000</pubDate><category>ethnomusicology</category><category>ethnography</category></item><item><title>Twin Peaks</title><description>&lt;iframe width="400" height="225" src="http://www.youtube.com/embed/SwvSFOEfHJE?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Twin Peaks&lt;/p&gt;</description><link>http://blog.irimun.com/post/38906311533</link><guid>http://blog.irimun.com/post/38906311533</guid><pubDate>Thu, 27 Dec 2012 00:04:57 +0000</pubDate></item><item><title>La Méditation Sans Objet</title><description>&lt;div class="copy"&gt;
&lt;p&gt;En équilibre parfait, immobile, le poids du corps sur les genoux, la colonne vertébrale étirée vers le ciel, ni penché en avant, ni penché en arrière.   On se contente d’effacer à chaque instant toute tension inutile, toute intention.  Dans la posture paisible de l’éveil, à partir du silence et de l’immobilité, naturellement, inconsciemment, on donne la liberté à toute chose.&lt;/p&gt;
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